About: Jason

Jason Terry
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Hey guys, I'm Jason Terry. I've been kayaking for most of my life after being taught by my dad (Mike Terry). When I was nine years old I went to my first Nantahala Outdoor Center kayak camp. I have returned there every year, besides this year, at least once for a camp that helped me improve my kayaking skills. I also spent two months kayaking at Camp Carolina and those months helped me improve tremendously. When I'm not paddling I love to play soccer and run cross country at my school. I'm so excited to actually be going to the New River Academy, it's really a dream come true for me. I hope that this blog can help show and tell you how much fun and how great this program really is.

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    Doing what the pros do, the Nevados

    Monday, December 13th, 2010

    A few days ago, New River Academy took some of its more advanced students to do one of the more challenging runs of the year: the Nevados.  This run is a good sized creek with a few twenty foot drops on it, that take skill and quick thinking to hit the lines, but have very few, if any consequences.  Below our takeout is a different story.  The Lower Nevados is an extremely hard run with some serious drops, including the infamous Demshitz drop; a ten foot boof into a fifty foot drop that reconnects halfway though.  There’s no need to worry though, we didn’t even come close to these drops.  We stuck with the Upper Nevados, a solid class V run that while only about a mile long, offers tons of fun.  It starts out with a cool ten-foot waterfall into a long slide that the students were not allowed to run because of the potential to ramp into the air five feet, and then land face-down on rock.  We cheered and took pictures as Dave, Lorenzo, Tino, and guest coach for the day Jake Greenbaum styled the line.   Then we got into our boats and headed down to scout the first drop.  This drop was a solid twenty-foot waterfall with a decent lead-in.  The trick to this one though, was that you had to boof the drop and do a ninety degree turn and then stomp your feet down.  The turn helped you avoid the bank that was five feet past the drop, and the stomp makes sure you don’t land flat.  Everybody did the line perfectly and it was a very fun drop.  We then went through some class IV boogie water until we got to the second drop: the pinched twenty.  This is a very intimidating looking drop, although it doesn’t have much of a line to it.  Basically the entire river constricts to a boat width and falls twenty feet.  This may sound easy but there is about a three foot boof over  log before it, so you have to hit your boof and then line yourself up to go off the drop.  This drop had some more interesting lines than the last drop.  Jacob broke a paddle and somebody else who wants to remain nameless flipped on the lip of it.  Everyone turned out fine at the bottom and we proceeded to the next drop which was a super fun, ten-foot auto boof.  Right after this was a runnable but hard rapid that most people portaged.  Unfortunately, Kira flipped on the auto-boof and went down the first drop of the portage where she got worked and swam.  She did the smart thing and ditched her boat and paddle right away to avoid the next drop and fortunately we found both of them (though her boat was in the eddy above Demshitz drop).  After this drop we were in a pickle since we were down two paddles and a boat.  Dave made the good decision of making us hike out and that is what we did marking the end of our Nevados adventure.

    To see more of Jason Terry’s pictures and blogs, click here: Jason Terry’s Blog

    Jake catching air off the slide

    Alex giving a perfect example of the turn and stomp on the first drop

    Clay on the second twenty-footer

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    Into the Belly of the Beast: Running Garganta del Diablo

    Thursday, November 25th, 2010

    Helmet cam shot of Garganta from below

    Normally, I would start out a blog with a short description of what New River Academy just did, but this experience was so unique and so amazing that a simple sentence saying that New River Academy ran Garganta del Diablo would not do the experience any justice.  Everyone’s seen the pictures and the movies of it, and going it we had all thought that we knew what the rapid would be like.  Yet from the moment we did the ski ramp into the canyon, it defied all expectations.

    The entrance that commits you to Garganta and the rest of the canyon is a pretty unique rapid in itself.  It consists of about an eight-foot long slide that kicks up for five feet at the end before falling about eight or nine feet.  With the right speed and stroke, you can soar off the lip and splash down happily in the pool.  After that you go around a corner, and there it is: Garganta del Diablo, perhaps the most picturesque and unique drop in the entire world.  I’m going to take a break now and explain Garganta for those who haven’t seen it before.  From above, it looks like a gently sloping slide that turns almost 180° before going off about a ten-foot waterfall.  If this were the case, Garganta would still be an amazing drop.  Yet this is not the case.  In reality the slide is descending almost straight down and it finishes in about a thirty-foot waterfall.  When our group got to the pool above the drop, we circled up and did a cheer then with the encouraging words of “roll up at the bottom,” Tino entered the rapid.  Following him was Lorenzo.  Then me.  When the whistle signaling my turn sounded, I took a deep breath and paddled to the lip and entered the slide.  I instantly accelerated to a speed I thought impossible as I rounded the curve.  As if from a different life I remembered to take a stroke before the lip then tuck.  The feeling of speeding up was then replaced with a falling sensation that ended with hammer blow of impact.  When I got my bearings I realized that my skirt had imploded and I was heading for the right wall that you don’t want to be on.  So with water pouring into my boat I sprinted over to the eddy where Tino and Lorenzo sat cheering.  While I put my skirt on over my boat that was half full of water I looked up at the drop that I just ran and cheered.  From the bottom it looked so much different, so much scarier, and so much bigger.  As I sat in the eddy, I was experiencing such a feeling of euphoria and accomplishment that I just ran the drop that I’m staring at and didn’t even flip.  There is no feeling in the world that can come even close to compare to that feeling.  After that Clay, Alex, Taylor, Mackenzie, and finally Kira dropped down.  Everybody styled the line and the only mishap is when Taylor’s skirt imploded and was forced to swim even though she nailed the line.  After everyone was gathered we started heading down the gorge.  This gorge was about a mile long and it has several challenging rapids that get no glory because of the glory of Garganta.  In it are a couple boat wide slides, a stout three footer, a fifty-foot waterfall that you paddle under, and a few more rapids that require a great degree of skill.   We paddled through these with no problems and enjoyed the sights all along the way. After one of the last rapids I felt a burning sensation on my leg, so I popped my skirt and there was a scorpion sitting on my leg stinging me at will.  I immediately pulled my legs out and yelled, “I’m being stung by a scorpion!”  Everybody looked at me confused, which is understandable because this wasn’t exactly a normal situation.  Finally Lorenzo got over his confusion and paddled over to me while everyone else still looked very confused.  He then directed me to a shallow spot where I could get out of my boat.  After I was out we looked into my boat and saw a brown scorpion looking back, so he took out his knife and cut it stinger off then threw it in the river.  During this time, all I could think about was horror stories of scorpions that I had heard growing up and that time I saw a show on how one type of scorpion had the most potent venom of any animal.  Lorenzo, seeming to read my thoughts, reassured me by telling me that the scorpions in Chile are no more dangerous than bees.  As I climbed back into my boat, I watched as everybody else popped their skirts and made sure they were scorpion free.  After a few more minutes of paddling, we reached the take out and started the hike back to the car.  Walking back everyone talked about the amazing experience we just shared.  And so it was that at 15 years, nine months, and nine days old, I became the youngest person ever to successfully run Garganta and the canyon afterwards.

    To see more of Jason’s photography, click here: Jason Terry’s Bog

    Me on Garganta, photo by Errik Hill

    Helmet cam shot of the long slot after Garganta

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    Kayaking 101: Teaching Chilean High School Students to Roll

    Thursday, November 25th, 2010

    Last Wednesday, New River Academy saw some familiar faces appear here.  Almenar del Maipo, Lorenzo’s old high school that we visited while at the Maipo, had a field trip here.  So, some people here had the idea to introduce some of the students to kayaking and teach them how to roll.  Seven of our students, including myself, were then gathered and asked to coach the kids and their P.E. coach in the art of kayaking.  So we gathered our gear and when the kids got here we taught them how to gear up and wet exit.  Then we split off with one of our students going with one of their students and teach them, or at the very least try, to roll a kayak.  I was paired with the P.E. coach and we hit it off and he was a pretty fast learner, he even managed to do a one or two unassisted rolls.  When the session was over all of the Almenar students were very happy and we were all excited and proud to see their progress.  All in all it was an extremely fun day and everyone was glad that they participated.

    To see more of Jason’s blogs, click here: Jason Terry’s Blog

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    A Trip Down Veinte y Dos Saltos

    Thursday, November 25th, 2010

    While at the Rio Claro, New River Academy takes some of its more advanced students down the upper section of the river called Veinte y dos Saltos.  As the name implies, this run has a total of twenty-two waterfalls over about a three-kilometer section of the river.  This makes for an extremely continuous, fun, and somewhat challenging waterfall paradise.  In order to get to this run, you have to drive up river on a somewhat sketchy road until you can’t drive anymore, then you get out and walk for about twenty minutes through streams, up mountains, and down steep slopes, finally you are at the put in.  This may sound like a time of relief, but the put in is one of the most challenging parts of the run; you have to slide down rocks for about eight feet until you free fall for about twelve feet and land a couple yards above a ten foot waterfall that you want to take your time to line up before you run.  Once you are safely in you can run that drop and paddle for about one hundred yards before you reach the second biggest rapid of the day.  This is a super-clean twenty-five foot waterfall that is insanely fun to run.  A couple hundred more yards after that is the most rapid in the entire world.  It consists of about a fifteen-foot slide that kicks up on the left wall and then falls about twelve feet.  The kicker on the left wall allows you to get enormous boofs then land softly in the soft, aerated water.  Watching people run this rapid is somewhat funny as some people just miss the boof entirely (I’ve been guilty of this before) and others try poses in the air and these always provide a good laugh.  After this is a fun fifteen-foot boof and then the thirty footer.  The thirty footer is the biggest drop on the run, one of the hardest, and definitely the scariest.  To run this you wait in a big pool until you hear Lorenzo’s whistle from the bottom, then you run the five-entrance drop and quickly paddle into the left-hand eddy where you see Tino sitting there (only one student this year has missed the eddy, take a guess who).  Once you are in the eddy, Tino will try to lighten the mood by saying, “Welcome to Veinte y dos Saltos, your flight today will be thirty feet and your line will be middle left on top of that little curler.”  After that there’s only one thing to do, paddle into the abyss.  As you fall off the lip you really appreciate that you are where you are (or not for some people) since you see a very hard wall a few feet to your right and some very hard rocks a few feet to your left.  You tuck, plug, roll, and then fist bump and scream your head off.  After this the run is almost over.  There’s a super technical canyon rapid, a super technical double-drop (where somebody’s boat may or may not have gone over while he or she was taking pictures), and an easy eight-foot boof over a huge hole that you don’t want to be in.  Then the canyon ends and you paddle through some class II rapids until you reach the take out.  When you get there you are coming down from an adrenaline high and amazed at the perfect run you just did.  The Veinte y dos Saltos is the most amazing run I have ever done and one of the most photogenic places in the entire world, and I am really happy that I have been lucky enough to experience it.

    To see more of Jason’s photography, click here: Jason Terry’s Blog

    Nick doing the seal launch in

    Alex on the 25 footer

    Alex on the ski jump rapid

    Lorenzo trying to pose on the ski jump rapid

    Hunt on the rapid after the ski jump

    The thirty footer from below

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    Getting the Shot: Veinte y dos and Garganta

    Thursday, November 25th, 2010

    Lorenzo on the twenty-five footer

    Tino on Garganta

    Lorenzo on Garganta

    Dave on Garganta

    On Tuesday New River Academy took a group down Veinte y dos Saltos on the Rio Claro in Chile.  This insanely fun run is a wonderland of super clean waterfalls.  Still, this is no Siete Tazas, you don’t just fall off the waterfalls, they have lines and some are pretty challenging.  But even more challenging than the run was getting to the run.  First is the drive over hundreds of rocks and potholes followed by a thirty minute trek into a forest, over hills, and through streams.  Finally you arrive at the river and see this incredible twenty-five foot waterfall.  As we rested after our walk, Tino, Alex, and I talked about the possibility of shooting the waterfall.  We talked about various angles that worked with the light until Tino told us of this place he knew of with a perfect angle.  He then led us of a ten-minute long hike that forced us to climb up hills and scramble through dry streambeds until we arrived on this bluff about eighty feet above the waterfall: this was a perfect spot.  As we set up we told Tino that they needed to wait for us above the waterfall as the light was about to change and we needed to time it perfectly if we were to get any decent shots.  So Tino left to round up the group and Alex and I waited.  About twenty minutes later we see them pull into the eddy above the drop just as the light gets perfect.  We quickly wave them on and Lorenzo paddles off the lip.  After everyone goes Alex and I climb back down, seal launch into the river a yard above a ten-foot waterfall and take our turn going off the twenty-five footer. I didn’t know it then but I quite possibly got the best picture of my entire life.  Lorenzo is mid-tuck almost halfway down the drop a split second before he smashes into the bottom.  But this day was not over yet and with Tino, Lorenzo, and Dave running Garganta del Diablo today, I knew I had an opportunity for more gold.  Before going to Garganta, Alex told me to bring my helmet, throw rope, PFD, and a lot of carabineers as last year he had apparently had a chance discovery of a great angle that takes a little scrambling to get to.  So when we got to Garganta we hiked around looking for this spot until he finally recognized where he was.  He then explained to me that we were going to tie our throw ropes around a rock and use them to help us down to the spot.  After we got down to the bluff we clipped into our ropes and peeked over the edge; we stood over the middle of turn in Garganta and could see it in its entirety.  Alex was a little disappointed because the earthquake last year had moved some rocks around so those rocks and a bush below us got in our picture a little bit, but it was still an amazing view.  We signaled to the group running it that we were ready and they took off with me snapping pictures and Alex filming.  I got quality shots of everybody that went off of the drop and as we climbed back up we were extremely happy with how things turned out, as we were maybe the only people to ever get that angle.  All in all this day was maybe the best day I had experienced in Chile yet and I got some of the best pictures in my life, which made me very happy.

    To see more of Jason Terry’s photography, click here: Jason Terry’s Blog

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    A Beautiful Drive, an Eerie Place, and a Lot of Landslides

    Saturday, November 13th, 2010

    On our last day at the Maipo, New River Academy packed up out vehicles and tried to drive out to the hot springs located at the top of a snowy mountain.  Our drive started normal enough, or as normal as a drive can be as you cruise past wild horses, snowy mountains, and roaring rivers.  Since it had snowed the previous day thousands of tiny waterfalls cascaded down from the mountains offering spectacular spectacles as the kayakers in all of us imagined running these impossible drops.  But our reverie would not last forever, as about thirty minutes in we realized that we were missing an entire car full of students and teachers.  Dave began to worry and to speculate as to their whereabouts, “Are they in front of us, did they break down, did they get robbed?”  He pondered all of these questions in his head and out loud.  Then, all of a sudden, we saw a long line of trucks stopped on the side of the road.  Confused, we all looked out of the windows trying to figure out what was going on until we noticed the semi-truck stuck in a creek going across the road.  Dave stopped the car and we got out thinking our adventure ended before it really started, little did we know that this was the start of a great adventure.  About ten minutes later our salvation came in the form of a bulldozer, pushing the truck out of the creek then moving around some gravel to divert the creek.  While this was a good fix for the moment, Alex thought that it wouldn’t hold and that by making a sort of reservoir they were only delaying a worse problem.  Still we all loaded up and took off excited to be on our adventure.  About ten minutes later we came around a corner and saw a mountain of red rocks and water blocking the road, “Well we aren’t going anywhere,” Dave said as he saw this.  Once again we got out the car a little bummed, hoping for some way to get past this monster landslide.  Under further inspection, we realized that this landslide was extremely recent, perhaps even in the last five minutes; the rocks were all still wet and every once in a while another mini-slide would start again.  We sat for about thirty minutes, taking in the sights and wondering if we could ever get past this behemoth.  Then, suddenly, our savior of the day, the bulldozer guy, appeared around the corner.  We all cheered him on moved away the rocks blocking the road.  When he was done we were all really excited as we hoped into the car, but then Dave came with some bad news, “The construction workers said that this will slide again pretty soon and they can’t around to get us out, so we can’t go any further.”  We were all pretty disappointed until he told us that we were going to go to the Yeso Waterfall and Pinochet’s concentration camp.  A little happier now, we turned around and started heading for the concentration camp, now a little bit more worried that Lorenzo and his car hadn’t caught up with us as we had over an hour of delays.  Still pondering these things we came around a corner and noticed that Alex’s prediction of a worse problem at the first place we were stopped was spot on as the rocks had since given way forming a very large creek full of rocks that was definitely impassable.  For a third time we waited for our hero, who hopefully made a lot of overtime that day, and he once again got us out of a sticky situation.  Finally we started on our journey to the concentration camp, getting more and more worried about Lorenzo.  Then, all of a sudden, he came around the corner.  Apparently, he thought that we were going to the concentration camp from the beginning so that’s where he went for a few hours.  With that mess cleared up and everyone relieved, we finally set off for the concentration camp.  When we got there we headed straight to the waterfall since the sun was about to set on it.   The Yeso Waterfall is about a thirty-foot drop with a really hard entrance, but it is extremely photogenic and everyone took pictures and video.  Then we headed over to the concentration camp.  The camps are from Pinochet’s reign over Chile in the 1970’s and are still probably the eeriest place I’ve ever been.  There were around ten bomb-shelter looking buildings that were the probably where the inmates stayed and walking in them was scary and extremely spooky.  While there, we noticed that some impoverished Chileans had taken up residence in one of these and it was very sad to think of what drove people to live in such a scary place. It was an interesting place to go and I am glad we went but it also shook me and was very eerie.  As we all piled into the van we went to sleep thinking about our extremely eventful day.

    To see more of Jason’s photography, click here: Jason Terry’s Blog

    The first landslide that had the creek that stopped us twice

    The landslide that ended up turning us around, this happened maybe five minutes before we got there

    A group shot while waiting for the bulldozer the second time

    The Yeso Waterfall

    One of the concentration camp's buildings

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    A Day in the Life of A Chilean

    Friday, November 5th, 2010

    Two days ago, the New River Academy visited Almenar Del Maipo, the old high school of our Spanish teacher Lorenzo Andrade-Astorga.  The experience was very cultural and fun, and I am very glad we had the opportunity to go there.  Both parties came out ahead of where they used to be, they taught us a lot of Spanish and Chilean customs, while we taught them American customs, a little English, and even how to play ultimate Frisbee.  My favorite part, however, was that despite the language barrier, we could still work together with the other students.  This occurred over and over again throughout our day as we moved through different classes.  In acting class, we had to do a group improvisational scene based on a scenario described by the teacher, it was amazing and hilarious to see how everyone could be on the same page without even having to speak a word.  In music, we were able to put together an entire Cuban song with the help of the music teacher and two Chilean students.  The most impressive, in my opinion, was gym class.  Every New River student had to pair up with a Chilean student, we then were put into very strange, and at sometimes awkward positions, and told to race across the gym.  Then we split into two teams and had to organize getting people over upright gym pads.  Finally, we had a Frisbee and soccer tournament.  All of these were amazing feats because our Spanish is limited and so was there English, but we still managed to work as teams and pull off difficult tasks, the Chileans even learned how to play Frisbee and excelled at it on their first try.  When we left I was very proud of both schools and extremely happy from the experience I was just a part of, it was truly amazing.

    Students Errik Hill and Jacob Slobodain participating in an improvisational scene

    The music teacher shows Wayne Poulsen how to play the song on piano

    Lorenzo Andrade-Astorga goes up for a catch in our Ultimate Frisbee game

    To see more of Jason’s photography, click here: Jason Terry’s Blog

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    The Mighty Maipo

    Friday, November 5th, 2010

    The New River Academy has now been on the banks of the Maipo for five days, so I decided it’s about time to blog about it.  Staying in Cascada de Las Animas is a great experience, the people are very friendly, the weather is amazing, the food is delicious, and the river is epic.  The Lower Maipo offers fun, but frigid, class III, III+ big water that is a fun paddle for everybody here.  But the Upper Maipo is a long, continuous, huge class IV, IV+ run that offers excitement, fear, and a sense of accomplishment.  In order to put onto the Upper, we have to start on a tributary called the Yeso, which is a small (but surprisingly hard) creek with crystalline blue water.  We paddle down that for about 300 yards then shoot off into the first rapid of the Maipo.  The fun really never stops, it only goes on a short break as there is no real flat water section on the run.  It starts off easy enough with some solid rapids that really don’t offer as much of a challenge as they do fun.  This lasts until the French Curve, a huge class V rapid with VI consequences that all but the best paddlers portage.  So far this year, Clay and Nick are the only students

    Clay getting a little beat down on the French Curve

    The Yeso, the put-in for the Upper Maipo

    Lorenzo showing Jordan the line through the French Curve

    Lorenzo in an eddy on the Upper Maipo

    Looking up the Maipo valley from the Lower put-in/ Upper take-out

    to have run it.  After the long, scary portage that involves scrambling up a rock wall, across boulders and loose shale, and finally down a rock wall, all the while looking at the rapid thirty feet below you; we can finally put back on for perhaps the most fun rapid in the entire world: The Tunnel Rapid.  This is a very intimidating rapid when you first look at, but as long as you make an s-move throughout the rapid it is really just pure fun.  At the end of this rapid the entire river condenses into perhaps a ten yard canyon offering the biggest wave train on the river.  Everyone is ecstatic as we pull into the eddy after this canyon and we ask Lorenzo the line to the next rapid.  He replies, “Boof!”  Puzzled we ask ,”Where?”  To which he chuckles and responds, “Everywhere!”  Then he pulls out and shoots down the rapid.  The rest of the rapids are a blur of huge holes and epic boofs until we see the slalom gates that mark the end, ironically this is where perhaps the worst beat-down on the first day occurred, but that’s a different story.

    To see more of Jason’s photography, click here: Jason Terry’s Blog

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    An Interview with Lisa Hill: Professional Photographer

    Thursday, October 28th, 2010

    For my last assignment for photographer on break, I had to interview a local professional photographer.  I chose Lisa Hill, a nice woman who lives about a mile from me and often takes pictures at my old school, Druid Hills.  She specializes in portraits of children, from newborns up to about eighteen years old.  She also does family portraits.  Her style is to capture the person in a different way each time, whether she moves them around or she might move to get an interesting new angle or use framing.  Most of the time she offsets the subject a little to either side and captures them from about the waist up, always in front of a picturesque background.  Now, without further ado, here is my interview with her:

    JT:What steps did it take to earn a living?

    LH:The most important aspect of earning a living in photography is not actually taking photos.  It is all about business.  The most successful photographers are those who learn and execute great business skills.

    JT: Where do you earn your core living from photography?

    LH: My specialty is children’s photography.  You must learn to focus on a style of photography and make it your mission to be the best photographer in that field.

    JT: What is your favorite aspect of photography?

    LH: I love working with people and I love to be creative behind the lens!

    JT: What has been your most challenging obstruction in becoming a professional?

    LH: I have degrees in two different areas, neither in photography.  My biggest obstacle was allowing myself to believe that I could learn the business later in life.  I continually take classes to learn as much as I can about every aspect of photography.

    JT: What advice can you share with me?

    LH: Take your camera everywhere and experiment with different styles, lenses, light, etc.  Photograph someone or something every day.

    JT: What’s the best way to get noticed?

    LH: Get out there so people see you in the community.  Volunteer with your camera!

    JT: What equipment do you use?

    LH: I shoot Canon and use natural light for all my photography.  I print through several labs so don’t need printing equipment.  It’s all about light and lens!

    Interviewing Lisa really gave me a better idea of the steps needed to become a professional photographer.  Also, between looking at her pictures and of those of the photographers I researched in previous blogs, I have a much better idea of the style that I want to shoot for.  All in all this was a very good assignment.

    To see more of Lisa’s pictures and to order prints, click here: Lisa Hill’s Website

    To see more of Jason’s photography and blogs, click here: Jason Terry’s Blog

    One of Lisa's pictures, notice the background and how she captured her from waist up. (C) Lisa Hill

    One of my photos that is similar in style to Lisa's pictures

    Another one of Lisa's pictures, again the background and where the picture cuts off, but also, this picture has the subject framed between the arches very cleverly (C) Lisa Hill

    Another one of mine that is as close as I can get to Lisa's style

    This is Lisa herself, the master picture taker

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    Two Very Different People With The Same Passion

    Wednesday, October 27th, 2010

    Over break the photography students were assigned to research two photographers of their choosing, one from the present, one from the past.  I chose Alfred Eisenstaedt and Robert Glenn Ketchum, two of the most influential and important photographers of their respective times.  After the research we were to write then post our findings here, I hope you enjoy.

    Alfred Eisenstaedt

    Alfred Eisenstaedt, or “Eisie” to his friends, was born on December 6, 1898 in Imperial Germany.  He served in the German Military in World War I, where he was wounded.  After returning from the war he became a freelance photographer for a local newspaper called the Berliner Tageblatt.  In the late 1920s he became a professional photographer.  Being Jewish in Nazi Germany, Eisenstaedt was forced to move to the America, where he lived for the rest of his life.  Here his work flourished.  He was a photographer for Life for thirty-six years, this position allowed him to get close to celebrities and he always had his autograph book handy.  He photographed people such as Bill Clinton, Ernest Hemingway, and John F. Kennedy.  During his years with Life he took eighty-six- cover shots and did over 2,500 multiple shot jobs, this total brings him to more published pictures than any other photographer in history.  He continued his work right up until his death on August 24, 1995.

    His friends described him a curious and hard-working individual.  He would go take pictures of the Mayor of Chicago in the morning and then some actor Detroit at night.  While he was a photojournalist, he was a man of few words and allowed his pictures to say everything he wanted to be said.  He tried to be very friendly when he took pictures; he always listened to the subject’s desires.  Also, he never photographed unhappy or terrible things, probably because while living in Germany he had seen all of those things already, and had no desire to return to that.

    His work in Life made him famous because of the fact that he portrayed famous people and events in the heat of the moment, with no staging or arrangements, he simply watched and took pictures that could never be staged.  This is probably most evident in his most famous picture of the sailor kissing the nurse in Time’s Square on V-J Day.  Also, the fact that he didn’t get faces or names allows people to connect and identify themselves or friends with the photograph more.

    Alfred Eisenstaedt will always be one of the most important photographers in history; in fact, he has been awarded with Photo Journalist of the Century.  His in the moment shots of famous people and events have captivated people for decades, and some of his shots are among the best ever taken.  He was better than anyone at letting his pictures do the talking, something all photographers can aspire to.

    V-J Day in the Square, one of Eisenstaedt's most famous images.

    The Ice Skating Waiter, this and V-J Day both demonstrate how good Eisenstaedt was at capturing people in the moment

    Robert Glenn Ketchum

    Robert Glenn Ketchum, born December 1,1947, is viewed as one of the premier nature photographers and environmental conservationists in the world.  His signature sweeping vista shots have helped him promote conservation while making him one of the most famous photographers of all time.  Time and time again he has been listed in the top one hundred most important people of a certain field, including contemporary photography and the environmental movement.  He has served as the Curator of Photographer for the National Park Foundation and helped found the International League of Photographers.  He and his camera have helped pass legislation preserving whale nurseries, old-growth forests, and establish more than five major wilderness areas.  He continues to work on preserving the environment today.

    Ketchum first started taking pictures when he was a student at UCLA.  These were mostly pictures of 1960s rock bands, but he eventually started to focus on nature and conservation.  He started reading legislation in order to better understand where and how he could help the environment the most.  During this time, photography was going through a drastic change: black and white to color.  Ketchum was on the forefront of this movement too, experimenting with all types of different printing techniques.  In fact, he and his friend, Michael Wilder, were among the first photographers to explore Cibachrome printing, which is an intricate printing process that results in sharp, colorful images.

    Ketchum’s signature style is very large, deep vistas with everything in razor sharp focus.  This means he uses a very low shutter-speed, while also using a very high f-stop, creating the same focus throughout the foreground and background.   The genius in using this technique and style in an effort to preserve the environment is that it gives the viewer a much clearer idea of what is out there and worth saving, instead of seeing one tree in sea of unfocused green, they see the entire forest.  This is a simple but brilliant way to connect with the audience and get his message across very effectively.

    Robert Glenn Ketchum has been, and still is, a driving force in the environmental movement that is going on today.  His breathtaking pictures and profound knowledge and dedication help him convince people to help nature.  With his help more than one hundred thousand acres of land have been preserved and he is still going at it.  His photography is literally helping save the world.

    A great example of how Ketchum could capture everything for miles in perfect focus

    A classic Ketchum picture, amazing vantage point and perfect clarity throughout

    To read more of Jason’s blogs, click here: Jason Terry’s Blog

    Also, don’t forget to check out my interview with Lisa Hill, coming soon!

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